Sunday, November 29, 2009
Finding Inspiration
As I've written here and here, for many years I painted all over the West and routinely sought inspiration in the big views it affords from the Rockies, to the high desert of New Mexico , to the splendor of Big Sur in California. When we moved to northeast Texas in May 2007, the landscape here felt comfortable, much like the north Florida and Georgia landscapes where I spent my early years. What I never expected was to be so utterly and completely captivated by its ordinary charms. As I've described before, this part of Texas is where the prairies of north central Texas meet the piney woods of the South. Its also a very rural, agricultural area which was once dominated by cotton and logging, now by a variety of crops and ranching. There are wide expanses of ranch land, cultivated fields, woods full of pines and oaks, streams and ponds- scattered around gently rolling hills, all in a distinct four season climate. While there is nothing dramatic or majestic about any of it, it is a constant source of inspiration for my work.
Perhaps most surprising of all is how close to home my favorite painting grounds are. In fact, the southwest corner of our property is my favorite place of all-particularly at this time of year. The sun has migrated far enough south that it streams through these trees in late afternoon. Every evening is different and often different minute to minute. I sometimes think I could paint this- just this- forever.
Thursday, November 26, 2009
Sunset Pines
This is one of several smaller pieces in the Little Gems holiday show at Galerie Kornye West on December 4. If you are in the Metro area, stop in and see me!
Just 4 spots left in Section II of the Painting the Luminous Landscape online class in January. Info and registration here.
Update: Class is FULL
Friday, November 20, 2009
Online Classes & Workshops
Although my online class Painting the Luminous Landscape starting in January is full, I'm opening up a second section of the class (each section is limited to 10 students) because I've got a number of people on a waiting list and others who have expressed interest. The dates are the same as Section I. So, here is the link for information and registration - 6 spots left!
Update: FULL
There is also one spot left in the Advanced Workshop at my studio in April. Here is the link for information and registration (scroll down past info on Florida workshop).
Update: FULL
There is also one spot left in the Advanced Workshop at my studio in April. Here is the link for information and registration (scroll down past info on Florida workshop).
Sunday, November 15, 2009
Evening Pines
Evening Pines
24 x 20
Available at Galerie Kornye, Dallas
24 x 20
Available at Galerie Kornye, Dallas
As I've mentioned before here, this part of Texas is called the Piney Woods. I think its one of the reasons the landscape here resonates with me. There is a pleasing combination of open fields and pastures, ponds and creeks and these tall, elegant pines.
Wednesday, November 11, 2009
Autumn Light
Autumn Light
24 x 30
Available at Galerie Kornye, Dallas
Every year this time, I have to adjust to the changing light. The thing I notice most is that the light is "harder" - a result of less moisture (humidity) in the air. We've had so much rain this fall, this hasn't really been noticeable until this week. Soon, the moisture returns in the form of lovely winter fog. But, for now, the clarity of the light is striking.
24 x 30
Available at Galerie Kornye, Dallas
Every year this time, I have to adjust to the changing light. The thing I notice most is that the light is "harder" - a result of less moisture (humidity) in the air. We've had so much rain this fall, this hasn't really been noticeable until this week. Soon, the moisture returns in the form of lovely winter fog. But, for now, the clarity of the light is striking.
Friday, November 6, 2009
The Gift
This week a gallery director called me a mid-career artist. I had to laugh considering that my upcoming birthday on Sunday (it has a big zero on the end and that's all I'm saying!) might not qualify me for being "mid" anything. Needless to say, I've been reflecting a lot this week about my life and my work. I most definitely feel a sense of urgency that didn't exist even a few years ago. But, I am choosing to focus on something else right now. Despite the frustrations and uncertainties of an artist's life, I would not want any other life. Its greatest gift is a sense of perpetual becoming- that there are always new things to learn, new ways to see, and new work to be done.
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