Getting Ready for Telluride, Part II

As I mentioned in my last post, I like to think about what motifs I might want to paint and even do a few thumbnail sketches to try out some design ideas. Often artists who return to these events will choose to paint a few of the same or similar scenes from year to year. In Telluride, there are lots of "iconic" scenes and townscapes that get painted every year. Generally, I stay away from those subjects, but this year I think I might try a variation on that strategy.

Wyatt's Aspens
16 x 12
Private Collection

A few months ago I painted a small piece called Wyatt's Aspens which was painted from memory but based on a place in Telluride. The first year I did the show, I stayed with a host couple who lived in an area above the valley, near the airport. It is a beautiful, high place with gorgeous aspen groves and lots of elk. It was a wonderful place to paint. That first year, I remember being so surprised to see a hang glider sailing by high above the valley below but at the same altitude as me! It is not unusual to see airplanes on approach to the Telluride airport, winging their way right past you! I liked the way the small painting turned out, so this year I plan to attempt a larger version. Steve has made a beautiful tabernacle frame for it- so now, I have to do it!

New 2011 Workshop!

OK, here they are in their sweet little tabernacle frames. They really ought to be switched around to be hung, but you get the idea.

I am really pleased to announce I'll be teaching a five day workshop in Taos, New Mexico next fall, September 19-23, 2011. The class will be held in a beautiful private home with two spacious studios that can accommodate up to ten students. You can go here for more information or to register. This is going to be fun!

The Tabernacle Frame Revisited

Twilight Moon framed
Available at Whistle Pik Galleries Christmas Miniatures Holiday Show

Tabernacle frames have been around for a long time. I didn't realize just how long until recently. Many of us are familiar with the Renaissance versions of this frame and even later 18th century and early 20th century styles. But in researching the history of this frame design, I discovered that its development formed the basis of the modern frame. Its a little like the "missing link" between architecture and the modern fine art frame.

Its proper name is an aedicule which means loosely "little house". It has its origins in the 4th century cathedrals which sprung up all over the Roman Empire once Christianity had been sanctioned. Its purpose was to house sacred altarpieces and it was designed to be attached to and part of the architecture surrounding it. Its basic elements- two columns topped with an entablature or pediment- would become the standard design concept of framing. Byzantine and Gothic examples abound. Much later, in the 16th century, the idea of portability was introduced and the form was used to "house" non religious subjects. The detached frame was born. But, craftsman instinctively used the "little house" design concepts when making the earliest frames for easel paintings. Over the centuries, the aedicule form came in and out of fashion and echoed the architectural and design components of the day.

The frame shown above on Twilight Moon is our contemporary version of the tabernacle frame. Its proportion and design echoes the traditional elements but gives a more contemporary, though still traditional look to the frame. The panel is a matte dark maroon surrounded by a distressed gold outer molding with a distressed gold inner lip.