Showing posts with label early moonrise. Show all posts
Showing posts with label early moonrise. Show all posts

Thursday, October 25, 2018

Moonrise



Spring Moonrise
24 x 24
Available at Hildt Galleries, Chicago



Hello All! Yes, it's been a long time. It's not that I haven't been writing (I have) but just elsewhere. But, I have wanted to get back here for a long while, and here I am. Hope some of you are still out there.

Moonrises have been on my mind this week. I am teaching an online class on Nocturnes right now, and since this week is the full moon, it is not only the best time to observe the moonlit landscape but also to observe moonrise and moonset. That's because when the moon is full, it rises at about the same time as sunset, and sets at about the same time as sunrise. The sun in the opposite sky from the moon makes for lots of evocative light and color and also for interesting compositional opportunities.

Moonrise, Flood Tide
24 x 30
Private Collection

The moon and moonlight are full of mystery and mood. At full moonrise, before it is dark, we can feel the day slipping away, giving way to the night. Unfortunately for me, the skies in northeast Texas are too cloudy to enjoy the show. But, if its clear where you are, be sure to watch for moonrise at sunset tonight and moonset at dawn tomorrow!

Moonrise over the Pines
36 x 30
Private Collection

Thursday, October 22, 2009

The Tabernacle Frame Revisited


Tabernacle frames have been around for a long time. I didn't realize just how long until recently. Many of us are familiar with the Renaissance versions of this frame and even later 18th century and early 20th century styles. But in researching the history of this frame design, I discovered that its development formed the basis of the modern frame. Its a little like the "missing link" between architecture and the modern fine art frame.

Its proper name is an aedicule which means loosely "little house". It has its origins in the 4th century cathedrals which sprung up all over the Roman Empire once Christianity had been sanctioned. Its purpose was to house sacred altarpieces and it was designed to be attached to and part of the architecture surrounding it. Its basic elements- two columns topped with an entablature or pediment- would become the standard design concept of framing. Byzantine and Gothic examples abound. Much later, in the 16th century, the idea of portability was introduced and the form was used to "house" non religious subjects. The detached frame was born. But, craftsman instinctively used the "little house" design concepts when making the earliest frames for easel paintings. Over the centuries, the aedicule form came in and out of fashion and echoed the architectural and design components of the day.

The frame shown above on Twilight Moon is our contemporary version of the tabernacle frame. Its proportion and design echoes the traditional elements but gives a more contemporary, though still traditional look to the frame. The panel is a matte dark maroon surrounded by a distressed gold outer molding with a distressed gold inner lip.

Friday, October 2, 2009

Harvest Moon

Early Moonrise II
36 x 30

We had a spectacular early moonrise this evening ahead of Sunday's Harvest Moon. As a confirmed moon watcher, I'm looking forward to a weekend of moon gazing. Moon set should be terrific too. Must. Get. Up..for that!

BTW, I've three spots left in the online class and two spots left in the Workshop/Mini Mentorship. Info and registration is here.

Start your engines, moon watchers!