Sunday, November 29, 2009

Finding Inspiration


As I've written here and here, for many years I painted all over the West and routinely sought inspiration in the big views it affords from the Rockies, to the high desert of New Mexico , to the splendor of Big Sur in California. When we moved to northeast Texas in May 2007, the landscape here felt comfortable, much like the north Florida and Georgia landscapes where I spent my early years. What I never expected was to be so utterly and completely captivated by its ordinary charms. As I've described before, this part of Texas is where the prairies of north central Texas meet the piney woods of the South. Its also a very rural, agricultural area which was once dominated by cotton and logging, now by a variety of crops and ranching. There are wide expanses of ranch land, cultivated fields, woods full of pines and oaks, streams and ponds- scattered around gently rolling hills, all in a distinct four season climate. While there is nothing dramatic or majestic about any of it, it is a constant source of inspiration for my work.


Perhaps most surprising of all is how close to home my favorite painting grounds are. In fact, the southwest corner of our property is my favorite place of all-particularly at this time of year. The sun has migrated far enough south that it streams through these trees in late afternoon. Every evening is different and often different minute to minute. I sometimes think I could paint this- just this- forever.

Thursday, November 26, 2009

Sunset Pines

Sunset Pines
11 x 14
Available at Galerie Kornye West, Ft. Worth, TX



This is one of several smaller pieces in the Little Gems holiday show at Galerie Kornye West on December 4. If you are in the Metro area, stop in and see me!

Just 4 spots left in Section II of the Painting the Luminous Landscape online class in January. Info and registration here.

Update: Class is FULL

Friday, November 20, 2009

Online Classes & Workshops

Although my online class Painting the Luminous Landscape starting in January is full, I'm opening up a second section of the class (each section is limited to 10 students) because I've got a number of people on a waiting list and others who have expressed interest. The dates are the same as Section I. So, here is the link for information and registration - 6 spots left!
Update: FULL

There is also one spot left in the Advanced Workshop at my studio in April. Here is the link for information and registration (scroll down past info on Florida workshop).

Sunday, November 15, 2009

Evening Pines

Evening Pines
24 x 20
Available at Galerie Kornye, Dallas


As I've mentioned before here, this part of Texas is called the Piney Woods. I think its one of the reasons the landscape here resonates with me. There is a pleasing combination of open fields and pastures, ponds and creeks and these tall, elegant pines.

Wednesday, November 11, 2009

Autumn Light

Autumn Light
24 x 30
Available at Galerie Kornye, Dallas

Every year this time, I have to adjust to the changing light. The thing I notice most is that the light is "harder" - a result of less moisture (humidity) in the air. We've had so much rain this fall, this hasn't really been noticeable until this week. Soon, the moisture returns in the form of lovely winter fog. But, for now, the clarity of the light is striking.

Friday, November 6, 2009

The Gift

Evening's Approach
24 x 48
Private Collection

This week a gallery director called me a mid-career artist. I had to laugh considering that my upcoming birthday on Sunday (it has a big zero on the end and that's all I'm saying!) might not qualify me for being "mid" anything. Needless to say, I've been reflecting a lot this week about my life and my work. I most definitely feel a sense of urgency that didn't exist even a few years ago. But, I am choosing to focus on something else right now. Despite the frustrations and uncertainties of an artist's life, I would not want any other life. Its greatest gift is a sense of perpetual becoming- that there are always new things to learn, new ways to see, and new work to be done.

Friday, October 30, 2009

Dusk

Dusk
12 x 12
Available at Blackheath Gallery, London


I took this image using a tripod but it looks like a Halloween poltergeist got into my studio and was shaking the camera. Really, I don't know why its so blurry! The bad news is I didn't get around to checking it until after the piece had left the studio. Lesson learned.

As of this morning I have one spot left in the online Luminous Landscape class for January. Information and registration here Update :Class is now full. Email me if you would like to be notified about upcoming classes.

Sunday, October 25, 2009

Blackheath Gallery Christmas Show & New Galleries

Remains of the Day
10 x 10


This painting and a half dozen others are on their way across the Big Pond to the Christmas show at Blackheath Gallery in London. The show opens November 7.

I am very pleased to say that I am now represented by Galerie Kornye in Dallas and Galerie Kornye West in Ft. Worth. I'll have work in the Holiday open house at the Dallas gallery on November 19 and the Miniatures Show in Ft. Worth which opens December 4.

Also very happy to say that Evening Embers sold at the Albuquerque Museum Miniatures & More gala on October 24!




Thursday, October 22, 2009

The Tabernacle Frame Revisited


Tabernacle frames have been around for a long time. I didn't realize just how long until recently. Many of us are familiar with the Renaissance versions of this frame and even later 18th century and early 20th century styles. But in researching the history of this frame design, I discovered that its development formed the basis of the modern frame. Its a little like the "missing link" between architecture and the modern fine art frame.

Its proper name is an aedicule which means loosely "little house". It has its origins in the 4th century cathedrals which sprung up all over the Roman Empire once Christianity had been sanctioned. Its purpose was to house sacred altarpieces and it was designed to be attached to and part of the architecture surrounding it. Its basic elements- two columns topped with an entablature or pediment- would become the standard design concept of framing. Byzantine and Gothic examples abound. Much later, in the 16th century, the idea of portability was introduced and the form was used to "house" non religious subjects. The detached frame was born. But, craftsman instinctively used the "little house" design concepts when making the earliest frames for easel paintings. Over the centuries, the aedicule form came in and out of fashion and echoed the architectural and design components of the day.

The frame shown above on Twilight Moon is our contemporary version of the tabernacle frame. Its proportion and design echoes the traditional elements but gives a more contemporary, though still traditional look to the frame. The panel is a matte dark maroon surrounded by a distressed gold outer molding with a distressed gold inner lip.

Monday, October 19, 2009

The Mood Makers

Twilight Moon
10 x 10

I just finished teaching the last week of the Magic Hours online class. One of the things I tell students wanting to learn about the Tonalist aesthetic is that mood is an important component of this painting style. And although it might seem difficult to quantify or analyze the elusive concept of mood, it can be translated into the language of painting. Very close values and tightly focused color harmonies are what I call "the mood makers".


Saturday, October 10, 2009

Evening Pool

Evening Pool
10 x 12
Sold

This is one of the three smaller pieces I am exhibiting at the Albuquerque Museum Miniatures & More show. The gala opening is on October 24 and I am looking forward to a road trip over to New Mexico. I'll spend a few extra days in Santa Fe after the show.

Shortly after I started this blog over two years ago now, I did a series of small paintings called Rick's Pool. As I explained back then, the word "pool" is used in northeast Texas to describe a pond, which is mostly used to water livestock but often serves as a fishing hole as well. They are a constant source of inspiration for my work.

Friday, October 2, 2009

Harvest Moon

Early Moonrise II
36 x 30

We had a spectacular early moonrise this evening ahead of Sunday's Harvest Moon. As a confirmed moon watcher, I'm looking forward to a weekend of moon gazing. Moon set should be terrific too. Must. Get. Up..for that!

BTW, I've three spots left in the online class and two spots left in the Workshop/Mini Mentorship. Info and registration is here.

Start your engines, moon watchers!


Saturday, September 26, 2009

Gone

Sunset Sentinels
20 x 16

The hummingbirds left yesterday...well, most of them. The chubby little rufus who guards two of the feeders is still here and a few of his buddies. And we've had the most spectacular few days of sunsets-each day a new and different color harmony, as if summer is putting on a final show with a few extra curtain calls.

Tuesday, September 22, 2009

Morning Haze

MorningHaze
10 x 10
We've had constant rains and thunderstorms for about two weeks now. A day of sun yesterday and back to thunder and lightening last night. So far, a very odd fall.



Thursday, September 17, 2009

New Classes & Workshops & Solo Show

I've just scheduled an online class -Painting the Luminous Landscape for January 8-February 5 , 2010. The class is limited to 10 students and usually fills quickly.
Here's the link for all the details about the class and registration (scroll down to Virtual Classes).
I have also scheduled an Advanced Class/Mini Mentorship to be held in April 2010 at my studio. I am very excited about this class! This program is limited to 5 artists (3 spots left) and attendance at a prior class is a prerequisite (or permission from me). You may register to reserve your spot if you have taken or will have taken a prior online class or workshop by April of next year.
Follow the link above for information and registration.

I am also happy to say that I'll be having a solo show in February 2010 at M Gallery of Fine Art in Sarasota, Florida. In connection with that I'll be teaching a five day workshop. The show opens on February 5 and the workshop runs from February 8-12. Contact M Gallery to register.